2009 Syrah Hudson Vineyards

This wine was tasted as part of a retrospective of Kongsgaard's Syrah Hudson Vineyard.

This charity event at the Culinary Institute of America last October was special for so many reasons. First and foremost, the tasting and dinner at Press that followed raised over $110,000 for two very worthwhile causes, students in the CIA's wine program and a division of The Mount Sinai Hospital that treats children with terminal cancer. As for the wines, well, they were pretty special, too. The Culinary Institute of America's EcoLab Theater is a dramatic room. Designed as a classroom for cooking demonstrations, the audience is seated amphitheater-style while the presenters are on the ground floor. At times, it can be daunting to look up at all of those people. I did better this year than last year, when I arrived late for my own event! It must have been my Italian genes. By the time I walked into the room, I had spent over a month and a half in California in 2012 alone. During the ten days leading up to this memorable afternoon I had tasted virtually every major Napa Valley wine, many more than once. So, it would have been understandable if the twelve Syrahs I had chosen for the tasting might have suffered in comparison. Instead, the exact opposite happened. I was completely blown away. One after the other, the wines were just drop-dead gorgeous. As my co-host, Karen MacNeil, and I surveyed the wines, I knew instantly it was going to be a great tasting. And it was. Because I usually taste within each region in California separately, I don't often have the occasion to taste one variety across many different appellations. Based on what I heard from the audience, it turns out I am not alone. A number of attendees mentioned how much they enjoyed tasting a wide range of wines from different parts of the state. I felt the same way. I wanted to challenge the audience, and also take some risks. It isn't enough to taste a set of great wines, even when it is for charity. There has to be something more than that. Hopefully something that remains. So I decided to toss out the conventional rule of thumb when it comes to putting wines in flights of going from lightest to richest. I wanted to debunk one of the most common urban myths I often run across; the idea that delicate wines are easily overpowered in a group tasting. In tastings like this, there is often a wine or two that doesn't quite measure up to expectations. On this day, though, all the wines were just fabulous. Frankly, I had a hard time leaving the room. At the end of the afternoon, I could only marvel at the breadth and diversity of the wines we had tasted. For some reason (or reasons) Syrah has never caught on in a big way with consumers. I have heard a number of explanations for that, many of which were discussed during this tasting. There is no low-price, widely available, high quality Syrah in the market a la Kendall Jackson Chardonnay Vintner's Reserve that might turn on wider public, I was told. Others ascribed Syrah's lackluster performance in the market to an incredibly broad range of styles that might be too much for the average consumer to grasp. Fair point. We certainly saw a huge number of unique styles in these twelve wines alone. Some said consumers lack reference points for great Syrahs from France, while the wines of Bordeaux and Burgundy are more familiar. That makes sense, too. But the best California Syrahs need no reference to France, or anywhere else, for that matter. They stand on their own. I also heard that after an initial boom a few years back, Syrah is now overplanted. Not much anyone can do about that, I am afraid, at least not in the near term. Still, it is impossible to miss the central truth. Syrah is one of the most compelling grapes in California. Leaving aside the handful of famous wines that have reached high prices, the vast majority of California's Syrahs remain reasonably priced within the context of the world's great wines. I have no doubt that most, if not all, the bottles in this tasting would sell for two to three times as much if they said ‘Napa Valley Cabernet Sauvignon' on their labels. Savvy consumers who want to drink the world's best without spending a fortune will want to take a little time getting to know California's top Syrahs.

Europhile John Kongsgaard describes 2010 as "a higher-energy vintage" than 2009, a cooler growing season that produced lower grape sugars at the same levels of phenolic maturity as the earlier year. "Lots of zinfandel and merlot was lost in 2010 because of a bigger crop than the root systems could support in a crisis," he said. Incidentally, beginning in 2009 Kongsgaard's cabernet, previously made from fruit purchased from David Abreu, is from shy-bearing 30+-year-old vines at an altitude of 2,300 feet on Atlas Peak, under a new lease with a neighbor.

The long, winding drive on an early Sunday morning up to John Kongsgaard's place on Atlas Peak was well worth the effort. The small, nondescript cellar is decorated with photos of famous classical musicians that replace conventional numbers on the tanks. As for the wines, they are flat-out stunning. Kongsgaard's Chardonnays are fermented with wild yeasts and are bottled with no fining or filtration after two years in barrel. The 100% new oak is barely perceptible in these fabulous wines. The Cabernet Sauvignons are now made from Kongsgaard's vineyards in Atlas Peak. Incidentally, Kongsgaard was among the latest to harvest his Cabernet in 2011. As of October 23, not a single Cabernet grape had been brought in.

Although he describes the 2009 and 2008 vintages as "not that different," John Kongsgaard told me that the 2008 growing season was "full of trouble, with some late heat spikes hurting the tender red varieties," while 2009 never got too hot. Easier extractions in 2009 yielded subtle, long wines with a sophisticated texture. Incidentally, beginning with the 2009 vintage, Kongsgaard's cabernet will come from a very cool, low-vigor site on Atlas Peak, planted in the 1970s at an altitude of 2,200 feet. Previously it was mostly from a vineyard owned by David Abreu, 200 feet above sea level. "I hope the new wine tastes like I made it," said Kongsgaard. "Certainly it has that 'striving for elegance' aspect to it."