2009 Syrah Melville Vineyard

This charity event at the Culinary Institute of America last October was special for so many reasons. First and foremost, the tasting and dinner at Press that followed raised over $110,000 for two very worthwhile causes, students in the CIA's wine program and a division of The Mount Sinai Hospital that treats children with terminal cancer. As for the wines, well, they were pretty special, too. The Culinary Institute of America's EcoLab Theater is a dramatic room. Designed as a classroom for cooking demonstrations, the audience is seated amphitheater-style while the presenters are on the ground floor. At times, it can be daunting to look up at all of those people. I did better this year than last year, when I arrived late for my own event! It must have been my Italian genes. By the time I walked into the room, I had spent over a month and a half in California in 2012 alone. During the ten days leading up to this memorable afternoon I had tasted virtually every major Napa Valley wine, many more than once. So, it would have been understandable if the twelve Syrahs I had chosen for the tasting might have suffered in comparison. Instead, the exact opposite happened. I was completely blown away. One after the other, the wines were just drop-dead gorgeous. As my co-host, Karen MacNeil, and I surveyed the wines, I knew instantly it was going to be a great tasting. And it was. Because I usually taste within each region in California separately, I don't often have the occasion to taste one variety across many different appellations. Based on what I heard from the audience, it turns out I am not alone. A number of attendees mentioned how much they enjoyed tasting a wide range of wines from different parts of the state. I felt the same way. I wanted to challenge the audience, and also take some risks. It isn't enough to taste a set of great wines, even when it is for charity. There has to be something more than that. Hopefully something that remains. So I decided to toss out the conventional rule of thumb when it comes to putting wines in flights of going from lightest to richest. I wanted to debunk one of the most common urban myths I often run across; the idea that delicate wines are easily overpowered in a group tasting. In tastings like this, there is often a wine or two that doesn't quite measure up to expectations. On this day, though, all the wines were just fabulous. Frankly, I had a hard time leaving the room. At the end of the afternoon, I could only marvel at the breadth and diversity of the wines we had tasted. For some reason (or reasons) Syrah has never caught on in a big way with consumers. I have heard a number of explanations for that, many of which were discussed during this tasting. There is no low-price, widely available, high quality Syrah in the market a la Kendall Jackson Chardonnay Vintner's Reserve that might turn on wider public, I was told. Others ascribed Syrah's lackluster performance in the market to an incredibly broad range of styles that might be too much for the average consumer to grasp. Fair point. We certainly saw a huge number of unique styles in these twelve wines alone. Some said consumers lack reference points for great Syrahs from France, while the wines of Bordeaux and Burgundy are more familiar. That makes sense, too. But the best California Syrahs need no reference to France, or anywhere else, for that matter. They stand on their own. I also heard that after an initial boom a few years back, Syrah is now overplanted. Not much anyone can do about that, I am afraid, at least not in the near term. Still, it is impossible to miss the central truth. Syrah is one of the most compelling grapes in California. Leaving aside the handful of famous wines that have reached high prices, the vast majority of California's Syrahs remain reasonably priced within the context of the world's great wines. I have no doubt that most, if not all, the bottles in this tasting would sell for two to three times as much if they said ‘Napa Valley Cabernet Sauvignon' on their labels. Savvy consumers who want to drink the world's best without spending a fortune will want to take a little time getting to know California's top Syrahs.

Samsara is without question one of the hottest boutique wineries in California's Central Coast. Proprietor Chad Melville splits his time between Samsara and his family's Melville estate, an approach that seems to work. The 2010s are the product of a very cold year with heat spikes in October. Except for the Rita's Crown, the Pinots were harvested in October, but before the spikes. The Syrahs (which I will revie next year) were picked much later, into December in some cases, and benefited from the kick of heat earlier in the growing season. Overall, yields were down dramatically, but that may have turned out to be a positive, as normal yields might not have ripened under these conditions. The wines were fermented with natural yeasts, and bottled without fining or filtration. Melville used 25-100% whole clusters for most of the wines. The top selections saw a maximum of 50% new oak.

This year's line-up of wines confirmed for me the rapid ascension of Chad Melville's Samsara to the upper tier of Santa Barbara wineries, but production here is still small. "It always will be," Melville told me, "because that's how I want it." He has plenty of other activities on his plate, he said, especially the management of his family's Melville vineyard. Although he loves to work with whole clusters for fermentation he doesn't want to get stuck on a recipe. "If the stems are right for whole-cluster work, I use them. If they're not right, out they go." It's rare that he will use more than 25% new oak "because that's pretty much my limit for where it takes away from the fruit." The one bottled pinot from 2010 and barrel samples of a number of other wines from that year suggest that it will be a very successful group of intense but elegant wines, by the way. Melville was able to pick into November "without the sugars running away and without any drop in acidity," he told me.

Chad Melville manages the vineyards for his family's Melville estate and makes the Samsara wines in a small rented facility in Lompoc. The wines are fermented with indigenous yeasts, aged in French oak (0$25.00% new) and bottled with no fining or filtration. The 2009 saw a fairly high percentage of whole clusters ranging from 50-100%. These are gorgeous, pure wines from an inspired, young producer whose career will be fascinating to follow. All of the Pinots were in bottle at the time of my June visit, while the Grenache and the three Syrahs I tasted were scheduled to be bottled in August.