Book Review: Geddy Lee’s Big Beautiful Book of Bass
BY ANTONIO GALLONI |
I will admit it, I am not impartial. Rush was a big part of
my musical education. I remember one of my best friends in school handing me an
album with a burning red star floating in a galaxy. It was, of course “2112.” The
album opened to reveal a photo of the band dressed in what looked like satin
cream and white kimonos, a look that was at once weirdly futuristic and
ancient. The term “WTF” did not exist back then, but if it had, that’s exactly what
I would have uttered. Then I put the record on the turntable, and my whole idea
of what rock music could be changed. Forever. So, to say I am a huge Rush fan
is an understatement.
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I will admit it, I am not impartial. Rush was a big part of my musical education. I remember one of my best friends in school handing me an album with a burning red star floating in a galaxy. It was, of course “2112.” The album opened to reveal a photo of the band dressed in what looked like satin cream and white kimonos, a look that was at once weirdly futuristic and ancient. The term “WTF” did not exist back then, but if it had, that’s exactly what I would have uttered. Then I put the record on the turntable, and my whole idea of what rock music could be changed. Forever. So, to say I am a huge Rush fan is an understatement.
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